This month's lesson
is intended to be a very basic overview - glossary, really - of various
ethnic rhythms, particularly latin rhythms. The first problem I ran into
in putting this lesson together was the fact that there isn't one central
repository on the web where these rhythms are clearly spelled out. So I
had to go to a number of sites and "collect" them, as one would
collect bugs in a field. One here, a couple over there....
I very quickly discovered
that not only is there not one central "Ethnic Rhythm" site -
particularly where latin rhythms are concerned - but that there is also
a difference of opinion on exactly what these rhythms are and even how
they are notated!
So, for some of you
these rhythms may look a bit different than you're used to seeing, or they
may even appear wrong. This lesson isn't intended to be a "final word"
on latin rhythms - far from it! It's basically a starting point in your
studies of ethnic rhythms. I highly encourage further study of these rhythms
if you are even remotely interested in pursuing them.
Another thing needs
to be said here. Many of these rhythms are not "stand-alone"
rhythms. In other words, many of the patterns below are intended to be
played by one instrument (like a cowbell) in the framework of an overall
ethnic rhythm where other instruments layer other patterns to create
the whole rhythm. The next lesson - Ethnic Rhythms #2 - will explain how
this works.


I'm not going to pretend
I understand the genesis of the rhythms below, nor do I understand the
cultural significance they embody in their home culture. Someone else with
more knowledge than I is going to have to take that up.
These rhythms can
add color and zestiness to your playing. You may even be in a situation
where your band leader requires you to play a Mambo. Do you know what that
is? It's good to have a basic understanding of these rhythms - it will
make you more versatile and give your playing a stylistic boost.


I'm not going to
go into a whole lot of detail in explaining what's happening here - this
is basically a glossary. I will notate when there are some certain conditions
and instruments that are characteristic of a particular pattern, but everything
should be faily self-explanatory.

This is probably
the most basic rhythm is all of latin music. The 3/2 designation comes
from the way the measure is juxtaposed. Here's the 2/3 Cláve - you
see what I mean:

This rhythm is usually
played on the claves! Sometimes the cowbell (it's become popular to have
a foot pedal hooked up to a cowbell, playing the cláve rhythm with
the left foot while playing over "top" of this on a kit or congas).
The Cláve is also sometimes called the "Cinquillo".
The most important
concept of the Cláve is tension / release. Build the tension
in the 3, release it in the 2:

The Cláve
3/2 is sometimes called the Rhumba Cláve.

A clave variant.

This pattern is played
with the whole kit, plus a cowbell.

This pattern is played
on the bass drum, usually "under" other patterns to make an overall
"rhythm." You'll see how this works in the next lesson.

Another cowbell pattern.
Note there are two measures - you can "flip" this pattern like
the Cláve (3/2 - 2/3). I didn't notate it - how would it look? Write
it out....
Here's the Mozambique
played on the top line on the cowbell with snare, bass drum, and foot hi-hat
together:


I couldn't find any
notes on instrumentation on this - I'm assuming the top line is either
closed hats or cowbell, the middle line is side stick, the bottom bass
drum.

Extremely popular
rhythm. You should memorize it. Here's a variant played on one instrument:

This is also a Bossa
Nova variant.


This pattern has
a notation variant:

Another variant:



This rhythm is played
on the Agago Bells.

Here's a variant
on this pattern:



My source on this
pattern says it is played on a "gua-gua". Anybody know what this
is? I don't!


Have some fun with
these! Add them to your pallette and "mix them up" with other
lessons during practice time (eg., play a Palito with the left hand on
the snare while playing the right hand of a Paradiddle on the ride cymbal,
with a Baiao on the bass drum and eighth notes on the hi-hat with your
foot). Drive yourself crazy!
As always, let me
know how you've done!





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