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![]() When Miles Davis recorded his brilliant KIND OF BLUE album, he walked into the recording studio, put the sheet music in front of his musicians for the first time, and recorded the first run-throughs as takes. Many of these first takes wound up on the album. The performances were spontaneous and inspired. Had these musicians been unable to read music, they wouldn't have been able to play the music. Many drummers are "ear-trained". They learn to play drums by listening to music and playing to it, many times mimicking it. They also form garage bands and learn by doing. While there's nothing wrong with this type of training for the ear, many drummers never learn to read. Thus, for many, a career as a free-lance musician is denied them (particularly studio recording), unless they "make it" in a band. Reading music is fundamental to a well-rounded musical approach. We take it for granted in this age of easy recording, but remember that recorded music is a 20th century invention. Before that, most music had to be "recorded" by writing it down on paper. We've gotten a bit lazy because of our technology. This page hopes to give the beginning reader some of the fundamentals of reading music. It is not meant to be a final statement. A lifetime of study and practice is required to become proficient, particularly at sight-reading - the ability to play music that's put in front of you for the first time (like Miles' musicians did on KIND OF BLUE). The student is encouraged to buy some music books and take a few lessons. It is my hope that this page will help you broaden your musical abilities. The Staff
The Drum Clef
There are other clefs which you will run into; these are for playing pitched instruments. We will not deal with them here. Time Signature
This will make more sense as you go along. Cut Time
Bar & Measure
Note As mentioned above, our notes will sit on various lines of the staff, indicating which drum we are to play. The type of note will indicate the duration the note will have within our measure. The table below explains the relative values of the notes. There are two half notes for every whole note; two quarter notes for every half note; two eighth notes for every quarter note; etc. If we are dealing with a time signature of "4/4", then the above illustration would be one measure in length. A whole note would take up four beats: "1, 2, 3, 4"; a half note would take up two beats: "1, 2, 3, 4,"; a quarter note would take up four beats: 1, 2, 3, 4". In order to count notes smaller than quarter notes in our "4/4" example, we need to add some sounds. Four eighth notes, we add "and". Thus, counting 8 eight notes in our measure will sound like this: "1, and, 2, and, 3, and, 4, and". Counting sixteenth notes involves adding some more sounds: "e, and, ah". Thus, counting 16 sixteenth notes in our "4/4" measure will sound like this (take a deep breath): "1, e, and, ah, 2, e, and, ah, 3, e, and, ah, 4, e, and, ah". This comes in handy when counting mixed-note measures. I'll get into that below. Just remember that each notes halves the value of the preceeding note. Repeats
Exercises commonly have a multi-measure repeat at the end. This indicates that the exercise can be repeated ad infinitum to build chops. Tie
Ghost
Accent
Dynamics
Hand
End
Tempo
Rests This diagram shows the rests for the given note value. A rest is just what it says: don't play. Note that the eighth, sixteenth, and thirty-second rests are alike, one is added to the previous to indicate its value. As with notes, rests usually rest on the line for the particular voice (drum). These are the basic notations used on this web site and in most drumming books. There are other symbols used in other types of musical notation; you might want to get some music books and familiarize yourself with them. The following exercises will help you practice what you've just learned and give you some practical examples. In every case the exercise is followed by a written counting of the measure(s), where the bold numbers are the played notes, and the regular numbers are not played.
One, two, three, four.
One, two, three, four-and. | One, two, three, four-and. Note that the eighth notes in both measures are the same. It is a common practice to draw a line between the tops of the stem of these notes when they are grouped together like this. The next exercise also shows how this applies to sixteenth notes: there are two lines linking the stem! Thirty-second notes will have three lines!
One, two-and, three-e-and-ah, four. | One, two-and, three-e-and-ah, four.
One, two-and, three-e-and-ah, four-and.
One, two-and, three-e-and-ah, four-and. | One, two, three, four. This one is intentionally tricky and introduces a new component: the dotted note. The dotted note (the third eighth note in the first measure) has a value of one-and-a-half eighth notes. Whenever a dot is added to a note (and it can be added to any note value), the length of the note grows by half it's value. Since half an eighth note is a sixteenth note, we can also think of this as three sixteenth notes, rather than one-and-a-half eighth notes. Note also that since we always have to come out with an equal amount of notes per measure, the fourth note in the first measure is a sixteenth note: we used up three of the sixteenth notes in this beat with the dotted eighth note, so the fourth sixteenth note stands alone. A tie between the last eighth note in the first measure are the first quarter note of the second measure. This means the two notes are played as one, as indicated by the text under the staff. (Note also the half note at the end gets two beats.)
One, two, three-and. | One, two, -and-ah, three. Here's a measure in "3/4" so you can see how it's counted. Starting a measure with a rest can easily throw you off! You now should have enough under your belt to get you started. it's now time to go to the music shop and pick up a beginning drum method book. Rubank has three good books: beginning, intermediate, and advanced. Ask someone who knows how to help you through the rough spots. Reading music will open up doors to you that you have never even imagined. It will take some time, and you'll get frustrated along the way. Stick with it! The rewards are great. |